With the news that Pauline Hanson’s One Nation Party is set for a few Senate seats I thought it apt to give this another airing.
Morgan, L., 2008, ‘Please Explain’ Art & Lies 11
http://www.doubledialogues.com Issue Nine Autumn 2008 http://www.doubledialogues.com/issue_nine/morgan.html
I am in London for a short time on a personal and professional project organised by ACME Studios to investigate how notions of art and cultural difference have developed since the 1980’s. http://www.acme.org.uk/international/assoc-artist-res
British TV, awful from what I have seen, nevertheless appears to reflect the diversity of Britain, unlike Australian TV. I liked the ad with a black family in a car who notice a bad smell and get out. The source of which turns out to be their dog, a gorgeous spaniel with its head out the window on the back seat .
The Revolutionary, 102 x 87 cm, oil, 2016
The following watercolour/gouache/conte studies were produced during a month long residency at Cairns Botanical Gardens/Tanks Arts Centre during Nov-Dec 2014. The theme Tropica was appropriated from the title of a book on exotic plants in the Friend’s library at the gardens-it represented tropical plants and often used photographs of the local people wearing or holding plants in a manner reminiscent of early colonial anthropology and photography. My other research looked at the early plant hunters and botanical classification and I collected specimens from the gardens, went bird watching, completed drawings and took many photos-the small studies were completed back in the studio. While in Cairns I read Amitav Ghosh’s the The Glass Palace and the even better The Hungry Tide-this follows a few books on the history of the East India Company-it goes without saying my interest in colonial history and post-colonial writing has been an influence on my image making.